Seven series: Gold and Wood · Sunrises · Faith, Myth and Memory · Flamenco · Eros · Portraits · Graphic Works.
Twelve bronzes of the zodiac, set around a dial like the hours of a clock, from Aries at one to Pisces at twelve. The hand starts on today’s sign; select any other to bring it to the centre.
Some of the objects he restored had lain in the ground for more than three thousand years. Among them were Late Bronze Age bronzes from the burials at Lchashen, which surfaced when Lake Sevan was lowered in the 1950s. He also worked on gold artifacts, silver book covers and carved wooden doors.
At the History Museum of Armenia he first worked as a restorer and designed exhibition halls, and later returned to head the restoration department. Time wears an object down until it half forgets itself. Under the green of corrosion and the dust of centuries, the old form is never fully lost. In a painter's hands, restoration becomes a way of reminding it what shape it once had.
Under the corrosion was a lattice of fine golden lines inlaid across the bird’s back, and golden lines around its head and beak.
The top of a bronze standard: a wild goat with great curved horns on an open ring. As found it was a lump of earth and pebbles; cleaning gave back the eye, the beard and the collar.
Drag the line across a photograph to see the object before and after restoration.
A visual artist who has never kept to one field. He paints on wood in oil and gold leaf, casts the signs of the zodiac in bronze, builds the worlds of films, illustrates books, designs furniture and restores objects three thousand years old. Each craft feeds the others: the restorer’s patience with metal and gilding finds its way into the paintings, the painter’s eye shapes the film sets, and the sculptor’s hand turns a wine cabinet into a pair of angels. Whatever passes through his hands — a wooden panel, a piece of bronze, an empty set, a cabinet door — comes away changed, as if it had been waiting for him to find what it was meant to be.
Born in Yerevan on 9 October 1964, he studied at the H. Kojoyan Art School (1975–1980) and at the Kh. Abovyan Pedagogical Institute, in the faculties of painting (1981–1986) and design (1983–1986). In 1986 he joined the Hayfilm studio as a production designer for animation, and in 1989 he made an animated clip for Charles Aznavour’s charity song “Pour Toi Arménie”, written after the December 1988 earthquake. He has been a member of the “Momik” Association since 1991. Film has stayed at the centre of his work ever since, from early animation to some forty films.
From 2001 to 2006 he worked with the History Museum of Armenia as an exhibition designer and restorer, and from 2012 to 2016 he headed its restoration department.
His work has been honoured with two gold medals: the Yerevan Mayor’s Gold Medal in 2016, on the city’s 2798th anniversary, for his achievements in art; and in 2023 the Medal for Contribution to Armenian Fine Arts and Cinema from the Ministry of Education, Science, Culture and Sport, marking the centenary of Armenian cinema.
His paintings and sculptures are held in private collections in many countries. He lives and works in Yerevan.
A production designer is, in a way, the magician of cinema. Their work begins long before we believe in the world on screen, with an empty room, a bare wall, a street that belongs to the present but must somehow become another decade, another country, another reality. They decide what that world remembers: the color of the walls, the weight of the furniture, the objects left carelessly on a table, the kind of light that enters a room. Nothing is really accidental. Every texture, every distance, every worn corner quietly tells us where we are and who has lived there before the camera arrived. And when the work is done perfectly, we do not notice the designer at all. We simply believe. For two hours, a constructed set becomes a home, the twenty-first century disappears, and a world that never existed feels as though it has always been there. That, perhaps, is the real magic of production design: not creating something beautiful, but creating something convincing enough for us to forget it was created.
Filmography: browse by poster and select any title for full details. Cast and production details not yet verified are marked "research pending".
Illustration work for published books.











